Second Angel with censer: Altar Sanctuary stained glass window designed by Charles Marchant Stevenson for St. Michael and All Angels Episcopal Church, Fort Bragg, California. Photo: Karin Faulkner
First Angel with censer: Altar Sanctuary stained glass window designed by Charles Marchant Stevenson for St. Michael and All Angels Episcopal Church, Fort Bragg, California. Photo: Karin Faulkner
The Gates of Hell by Charles Marchant Stevenson (1994). Matt Leach stands before Auguste Rodin’s monumental Gates of Hell at the Rodin museum in the Hotel Biron, Paris. Acrylic on canvas (48” x 36”). Signed: Stevenson. Stevenson/Leach Studios. Original artist’s frame. SKU: CS199419*
Mendocino artist Pamela Joy Hunter. Photo courtesy of the artist.
Charles Marchant Stevenson at 17, in a sculpture class at the Corcoran (1943). All the men are away fighting; the US military has taken over the Corcoran, so classes are being held in temporary quarters, and Charles is counting the days til his 18th birthday when he can enlist in the Navy.
Arnold Borley with Charles Marchant Stevenson at the Mendocino Art Center Fair (1964). Photo by Bill Foote.
The Corcoran Gallery of Art, former home of the Corcoran School of Art, at 17th Street and Pennsylvania Avenue, Washington DC.
Beat poet ruth weiss at the Beat Museum, San Francisco (2017). Photo by Ingeborg Gerdes.
“Esteemed beat poet” ruth weiss “as a beacon of self-reflection” and “a principal figure of feminine wisdom in Luminous Procuress” with the Cockettes (San Francisco 1971), – Steve Seid, Illumination Procured: Steve Arnold and the Body Electric. Photo by Ingeborg Gerdes.
“Esteemed beat poet” ruth weiss “as a beacon of self-reflection” and “a principal figure of feminine wisdom in Luminous Procuress” with the Cockettes (San Francisco 1971), – Steve Seid, Illumination Procured: Steve Arnold and the Body Electric. Photo by Ingeborg Gerdes.
