CMS Annex

Stevenson in the Annex

Mendocino Fence by Charles Marchant Stevenson (1969). Acrylic. Signed: Stevenson. Framed. SKU: CS196912*
Mendocino Fence by Charles Marchant Stevenson (1969). Acrylic. Signed: Stevenson. Framed. SKU: CS196912*
Mustapha at the Temple of Kom Ombo (1996), is a portrait of the extraordinary Egyptologist who was Charles Marchant Stevenson's guide in Egypt, and who became his friend, later coming to visit Stevenson in Mendocino. Here Mustafa explains the history of the double temple of Kom Ombo, built on the Nile by the Ptolemies in the Second Century C.E. Acrylic on canvas (48” x 30”). Signed: Stevenson. Stevenson/Leach Studios. Original artist's frame. SKU: CS199627*
Mustapha at the Temple of Kom Ombo (1996), is a portrait of the extraordinary Egyptologist who was Charles Marchant Stevenson’s guide in Egypt, and who became his friend, later coming to visit Stevenson in Mendocino. Here Mustafa explains the history of the double temple of Kom Ombo, built on the Nile by the Ptolemies in the Second Century C.E. Acrylic on canvas (48” x 30”). Signed: Stevenson. Stevenson/Leach Studios. Original artist’s frame. SKU: CS199627*

 

Dreaming of Dragons (1990). Charles Marchant Stevenson and Matt Leach offer a light-hearted variation on the theme of travel. The subject is Roberta Chipps Whiteside. Acrylic on canvas (21" x 48"). Signed on back: Stevenson/Leach. Original artist's frame. SKU: CS199011*
Dreaming of Dragons (1990). Charles Marchant Stevenson and Matt Leach offer a light-hearted variation on the theme of travel. The subject is Roberta Chipps Whiteside. Acrylic on canvas (21″ x 48″). Signed on back: Stevenson/Leach. Original artist’s frame. SKU: CS199011*
Awaiting the Christmas Visitor by Charles Marchant Stevenson (1971). Dream-like heightened awareness balances breathless anticipation and the deep comfort of home. Arnold Borley is the expected guest. With its reflections of a starry winter sky and full moon, rich golds and oranges, deep blues and purples, this is one of Charles Marchant Stevenson's most beloved images. Serigraph (26” x 20”), edition of 36. SKU: CS197104
Awaiting the Christmas Visitor by Charles Marchant Stevenson (1971). Dream-like heightened awareness balances anticipation and the deep comfort of home. Arnold Borley is the expected guest. With its reflections of a starry winter sky and full moon, rich golds and oranges, deep blues and purples, this is one of Charles Marchant Stevenson’s most beloved images. Serigraph (26” x 20”), edition of 36. SKU: CS197104

 

Phaeton (1995). Phaeton, the Shining One, child of the Sun God, takes a wild ride on his father’s fiery chariot and plummets toward earth. Acrylic on canvas (48” x 24”). Stevenson/Leach Studios. Signed: Stevenson. Original artist’s frame. SKU: CS199520*
Feline Deliberation (1992), illustrates Hexagram 64: Wei Chi (Before Completion). One side is a monumental three panel portrait of Matt Leach’s cat, the mild-tempered orange tabby Killer. The other side offers two smaller views of Killer on a wall shaded by summer foliage. The screen is one of a small number of double-sided folding screens created by Matt Leach and Charles Marchant Stevenson. Acrylic on gessoed cheesecloth on wood panels, with wood framing, and brass hardware (80” x 108”). Signed: Stevenson/Leach. SKU: CS199205*
Feline Deliberation (1992), illustrates Hexagram 64: Wei Chi (Before Completion). One side is a monumental three panel portrait of Matt Leach’s cat, the mild-tempered orange tabby Killer. The other side offers two smaller views of Killer on a wall shaded by summer foliage. The screen is one of a small number of double-sided folding screens created by Matt Leach and Charles Marchant Stevenson. Acrylic on gessoed cheesecloth on wood panels, with wood framing, and brass hardware (80” x 108”). Signed: Stevenson/Leach. SKU: CS199205*
Hexagram 34: Ta Chuang: The Power of the Great by Charles Marchant Stevenson (1971). Inscription: "Ta Chuang/The Power of the Great - Inner worth mounts upward with great force and comes to power. Thunder - electrical energy - mounts upward in the spring" - From Hexagram 34, I Ching: Or, Book of Changes, Wilhelm-Baynes translation, Bollingen Series, Princeton University Press. Serigraph (20” x 26”), edition of 48. SKU: CS197103
Hexagram 34: Ta Chuang: The Power of the Great by Charles Marchant Stevenson (1971). Inscription: “Ta Chuang/The Power of the Great – Inner worth mounts upward with great force and comes to power. Thunder – electrical energy – mounts upward in the spring” – From Hexagram 34, I Ching: Or, Book of Changes, Wilhelm-Baynes translation, Bollingen Series, Princeton University Press. Serigraph (20” x 26”), edition of 48. SKU: CS197103

 

Matt Leach in Paris. Watercolor (14” x 11”). Signed: Stevenson '91. Stevenson/Leach Studios. Mat and narrow gold metal frame. SKU: CS199125*
Matt Leach in Paris. Watercolor (14” x 11”). Signed: Stevenson ’91. Stevenson/Leach Studios. Mat and narrow gold metal frame. SKU: CS199125*

 

 

Cupid and Psyche (1990) Acrylic. Signed: Leach 90. Stevenson/Leach Studios. Original artist's frame. SKU: CS199025*
Cupid and Psyche (1990) Acrylic. Signed: Leach 90. Stevenson/Leach Studios. Original artist’s frame. SKU: CS199025*
Sleuth at Saint Martin's by Charles Marchant Stevenson (1972). Inscription: Marius Goring and Anthony Valentine in "Sleuth” at St. Martin's Theater, London. Gouache (16.5” x 26.5”). SKU: CS197205
Sleuth at Saint Martin’s by Charles Marchant Stevenson (1972). Inscription: Marius Goring and Anthony Valentine in “Sleuth” at St. Martin’s Theater, London. Gouache (16.5” x 26.5”). SKU: CS197205

 

Danse du Ventre (1996). Acrylic on canvas (36” x 24”). Signed: Stevenson/Leach. Stevenson/Leach Studios. Original artist’s frame. SKU: CS199636*
How I See It: Mendocino Bay (1995).  Acrylic on canvas (48 x 60”). Signed: Charles Stevenson ’95. Stevenson-Leach-Studios. Original artist’s frame. SKU: CS199509*
Wrestlers (1996). Acrylic on canvas (48” x 36” ). Signed on reverse: Stevenson/Leach. Stevenson/Leach Studios. Original artist’s frame. SKU: CS199609*
Hermes Trismegistus (1996). Acrylic on canvas (36” x 24”). Signed: Stevenson. Stevenson/Leach Studios. Original artist’s frame. SKU: CS199603*
Tai Chi Energies (1994). Acrylic on canvas (48” x 21”). Stevenson/Leach Studios. Original artist’s frame. SKU: CS199425*

 

Le Spectre de la Rose (1988). Inscription: "Je suis le Spectre de la Rose que vous avez hier soir au bal porter." In the ballet, the Spirit of the Rose addresses a dreaming girl, just returned from her first ball, where she wore the Rose on her corsage, and on whose alabaster bosom the Rose expired in joy. Here the eroticism is explicit. Acrylic on canvas (48” x 30”). Signed Stevenson. Stevenson/Leach Studios. Original artist's frame. SKU: CS198810*
Le Spectre de la Rose (1988). Inscription: “Je suis le Spectre de la Rose que vous avez hier soir au bal porter.” In the ballet, the Spirit of the Rose addresses a dreaming girl, just returned from her first ball, where she wore the Rose on her corsage, and on whose alabaster bosom the Rose expired in joy. Here the eroticism is explicit. Acrylic on canvas (48” x 30”). Signed Stevenson. Stevenson/Leach Studios. Original artist’s frame. SKU: CS198810*

 

Mirror Trick: Narcissus (1993). The subject shares a focus with the viewer, while King Neptune and a mermaid await discovery. Acrylic (48: x 36”). Hand signed: Stevenson. Stevenson/Leach Studios. Original artist’s frame. SKU: CS199400
Apotheosis of the Working Man (1993). A halo surrounds the Risen Christ, who during His life was the carpenter Jesus of Nazareth. Charles Marchant Stevenson's sacred geometry also halos the priest, a "worker in the fields of the Lord." The Priest, eyes closed and mouth open, overcome by transcendant bliss from recent presence of the Dove of the Holy Spirit, as yet unaware of spattered traces of the Dove's passage on his jacket. Acrylic on canvas (48” x 48”). Signed: Stevenson. Stevenson/Leach Studios Original artist's frame. CS199310*
Apotheosis of the Working Man (1993). A halo surrounds the Risen Christ, who during His life was the carpenter Jesus of Nazareth. Charles Marchant Stevenson’s sacred geometry also halos the priest, a “worker in the fields of the Lord.” The Priest, eyes closed and mouth open, overcome by transcendant bliss from recent presence of the Dove of the Holy Spirit, as yet unaware of spattered traces of the Dove’s passage on his jacket. Acrylic on canvas (48” x 48”). Signed: Stevenson. Stevenson/Leach Studios Original artist’s frame. CS199310*

 

Mendocino Angels at Sunset (1994). A reminder to look for the angels in Mendocino skies. Models: Shanti Balsé and Matt Leach. Acrylic on canvas (30” x 48”). Signed: Stevenson ’94. Stevenson/Leach Studios. Original artist’s frame. SKU: CS199427*
Phoenix Song (1993). Signed on reverse: Stevenson/Leach. Stevenson/Leach Studios. Original artist’s frame. SKU: CS199303*
Apsaras (1992) is a monumental study for an even larger, eight-panel screen, never realized. Shanti Balsé is the model. Acrylic on canvas (48” x 72”). Stevenson/Leach Studios. Original artist’s frame. SKU: CS199210
Liberty (1991). With reverence, a young man salutes Liberty, and honors those fallen in her cause. Background: Eugene Delacroix's masterwork Liberty Leading the People. The model is Stevenson/Leach partner Matt Leach. Gouache (10” x 13”). Signed: Stevenson '91. Stevenson/Leach Studios. Mat and narrow gold metal frame.SKU: CS199120
Liberty (1991). With reverence, a young man salutes Liberty, and honors those fallen in her cause. Background: Eugene Delacroix’s masterwork Liberty Leading the People. The model is Stevenson/Leach partner Matt Leach. Gouache (10” x 13”). Signed: Stevenson ’91. Stevenson/Leach Studios. Mat and narrow gold metal frame.SKU: CS199120
I See the Future (1992), a wish, a blessing, for our children, and our children’s children, by Charles Marchant Stevenson and Matt Leach. Acrylic on canvas (21” x 48”). Signed on the back: Stevenson/Leach. Original artist’s frame. SKU: CS199209
Paris in Mendocino (1992). Matt Leach brings Paris home to Mendocino, setting the Eiffel Tower in Heider Field, behind the Mendocino Post Office. Acrylic on canvas. Signed: Leach. Stevenson/Leach-Studios. SKU: CS199209ML*
Golden Mean: Portrait of Matt Leach (1989). Acrylic on canvas (60” x 36”). The title refers to the sacred geometry which gives Stevenson/Leach work so much of its power, and to Stevenson's pun, referring to Leach as "the golden mensch." Acrylic on canvas (36" x 60”). Hand signed on reverse: Stevenson/Leach. Original artist's frame. SKU: CS198920*
Golden Mean: Portrait of Matt Leach (1989). Acrylic on canvas (60” x 36”). The title refers to the sacred geometry which gives Stevenson/Leach work so much of its power, and to Stevenson’s pun, referring to Leach as “the golden mensch.” Acrylic on canvas (36″ x 60”). Hand signed on reverse: Stevenson/Leach. Original artist’s frame. SKU: CS198920*
Warrior Woman: Tomo-e Gozen (1988). The medieval Japanese epic, The Tale of the Heike, describes Tomo-e Gozen as "especially beautiful, with long hair, and charming features ... a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot. She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain...and she performed more deeds of valor than any of his other warriors." - Helen McCullough, translator. The warrior rides toward battle carrying the naginata, a pole weapon effective in cavalry battles. Acrylic on canvas (24” x 24”). Handsigned: Stevenson. Stevenson/Leach Studios. Original artist's frame. SKU: CS198805*
Warrior Woman: Tomo-e Gozen (1988). The medieval Japanese epic, The Tale of the Heike, describes Tomo-e Gozen as “especially beautiful, with long hair, and charming features … a warrior worth a thousand, ready to confront a demon or a god, mounted or on foot. She handled unbroken horses with superb skill; she rode unscathed down perilous descents. Whenever a battle was imminent, Yoshinaka sent her out as his first captain…and she performed more deeds of valor than any of his other warriors.” – Helen McCullough, translator. The warrior rides toward battle carrying the naginata, a pole weapon effective in cavalry battles. Acrylic on canvas (24” x 24”). Handsigned: Stevenson. Stevenson/Leach Studios. Original artist’s frame. SKU: CS198805*

 

 

 

Back in Town: Europa & the Girls (1992). Charles Marchant Stevenson and Matt Leach celebrate the Musée d’Orsay’s heroic sculptures of the Continents envisioned as six magnificent women, seated on a low wall on the south side of the museum’s courtyard. From left to right, the painting depicts the first four Continents, l’Europe, l’Asie, l’Afrique, and l’Amérique du Nord. Why the title? Acrylic on canvas (21” x 48”). Signed on the back: Stevenson/Leach. Original artist’s frame. SKU: CS199212*